Scope
Villa Austevoll, Austevoll, Norway
挪威 艾斯特沃爾別墅
—
Saunders Architecture
Scope
—
Saunders Architecture
Given the northern climate of Norway, and the challenging conditions experienced along the coast, the notion of ‘shelter’ has particular resonance here.
There are the dramatic extremes of the winter, but also the winds from the north and the constant chance of rain any month of the year.
One of the key challenges in the design of the island retreat of Villa Austevoll was how to balance the necessity of shelter with the need to make the most of this extraordinary coastal landscape all year round.
有鑒於挪威北部氣候,以及沿岸地區的極具挑戰性的條件,「避難所」之概念在這裡將特別引起共鳴。
此處有冬季極端天氣,加上吹自北方的風與一年中連續降雨一個月的機會。艾斯特沃爾別墅在設計上的主要挑戰是如何平衡住所的必要性和充分利用這非凡海岸景觀。
The house is situated on the island of Selbjørn, which sits within a picturesque archipelago to the south of Bergen. Accessible only by boat and ferry, Selbjørn isa place that Fagerbakke has known since childhood, when her grandparents lived here and she would come and spend time on the island during the summer months and weekends. The land where Gundersen and Fagerbakke (an engineer and a civil engineer) wanted to build a new escape for themselves and their grown-up children has been in the family for many years.
The couple approached Todd Saunders to design their new retreat knowing that he would give them a highly original design. They wanted a cabin that would give them shelter as well as an observatory for appreciating the beauty of both land and sea, but at the same time they wanted the house to be unusual, modern and sculptural. Trond Gundersen had already built the family’s main home in Bergen and wanted to be involved in the construction process for Villa Austevoll. He took a trip to Fogo Island to see the hotel and studios designed by Saunders and was struck by the similarities between Newfoundland and Norway in terms of both the landscape and the climate.
這所房子位於塞爾比約恩島,該島位於卑爾根南部風景如畫的群島內。 塞爾比約恩島只能乘船和渡輪抵達,是女業主從小就知道的地方,當時她的祖父母住在這裡,她會在夏季和周末來島上度過時光。業主夫妻(一名工程師和一名土木工程師)想要為他們自己和他們成年的孩子建造一個新的避難所,該土地已經在這個家庭中存在多年了。
這對夫婦找托德.桑德斯設計他們的新度假屋,他們知道他會給他們一個高度原創的設計。 他們想要一個可以為他們提供庇護的小屋,以及一個可以欣賞陸地和海洋美景的觀景台,但與此同時,他們還希望這座房子與眾不同、現代且具有雕塑感。 男業主已經在卑爾根建造了這個家庭的主要住宅,並希望參與艾斯特沃爾別墅的建設過程。 他前往福戈島參觀了桑德斯設計的酒店和工作室,並對紐芬蘭和挪威在景觀和氣候方面的相似之處感到震驚。
Like Fogo, the design of Villa Austevoll adopts the principal of making the lightest possible impact upon the natural setting and surroundings. Saunders decided to lift the house above the landscape, both to protect it and take advantage of the hillside site and the views that it offered in all directions. He developed the idea of a cross- like form for the main body of the building sitting on top of a recessed plinth.
Instead of a square supporting plinth, Saunders decided on a triangular slice made of concrete, which recesses into the hillside while allowing the main body of the floating house above to dominate with its coat of white timber and glass. Slim steel pillars complement the structural, supportive function of the plinth, which contains the entrance to the house. The triangular plinth holds the entrance hall, utility spaces and a sculptural, spiral staircase, crafted in oak, which leads up to the principal level above. Experientially, the journey upwards from a relatively enclosed, darker entry space to a space full of light offering open views of a framed landscape.
艾斯特沃爾別墅的在設計上以盡可能減少對自然環境和周圍環境的影響為原則。桑德斯決定將房子抬高到景觀之上,既是為了保護它,也是為了利用山坡上的場地和它提供的全方位景觀。他提出了一個想法,即在一個凹進的基座上為建築物的主體設計一個十字形的形式。
桑德斯沒有採用方形支撐底座,而是採用了由混凝土製成的三角形切片,它凹入山坡,同時允許上方漂浮房屋的主體以其白色木材和玻璃塗層為主。 細鋼柱補充了包含房屋入口的基座的結構和支撐功能。 三角形的底座設有入口大廳、公用空間和一個用橡木製成的雕塑般的螺旋樓梯,通往上面的主層。 從體驗上講,這是從一個相對封閉、較暗的入口空間向上到一個充滿光線的空間的旅程,提供了觀景時的開闊視野。
The stairway emerges at the central point an open and welcoming living space arranged on an axial line running from north to south, forming two spokes of the cross. One wing holds the sitting room, including a library wall to one side, while the other hosts the dining area and a fitted galley kitchen. Both of these spaces spill out onto terraces, sheltered by the overhang of the roof. The master bedroom suite in the third spoke and the two bedrooms in the fourth, similarly, connect with terraces facing east and west, so that every point of the cross connects with a key vista. Wind and weather patterns, along with sight lines, influenced the decision to erode the geometry of the cross at crucial points, softening the overall form with more angular elements.
樓梯出現在中心,一個開放而溫馨的生活空間排列在一條從北到南的軸線上,形成十字的兩個輻條。 一個翼樓設有起居室,包括一側的圖書館牆,而另一個翼樓則設有用餐區和一個配備齊全的廚房。 這兩個空間都延伸到陽台上,被屋頂的懸挑所遮蔽。 第三與第四個翼樓分別是主臥室套房和兩間臥室,同樣與東西向的露台相連,使十字的每一點都與一個關鍵的房間相連。 風和天氣模式以及視線影響了在關鍵點上侵蝕十字架幾何形狀的決定,用更多棱角元素軟化了整體形式。
The steel-framed, larch-clad house was built relatively slowly, taking careful account of the needs of the family and the quality of the detailing and finishes. The couple wanted a house that would balance a cabin-like degree of simplicity within the layout and interiors with relatively low-maintenance materials, taking into account the coastal conditions and the building’s hillside position. Given the successful form of the house and its flexibility, the family have found themselves spending more and more time at their 21st Century cabin through all four seasons.
這座鋼架、落葉松覆蓋的房子建造得相對緩慢,仔細考慮了家庭的需求以及細節和飾面的質量。 考慮到沿海條件和建築物的山坡位置,這對夫妻希望這座房子能夠在佈局和室內簡約度與相對低維護的材料之間取得平衡。 鑑於房子的成功形式及其靈活性,這家人發現自己在整個四季中花費越來越多的時間在他們的 21 世紀小屋裡。
Principal Architects:Todd Saunders・Pedro Léger Pereira・Attila Béres
Structural Engineering:Erling Olsen (Konstruksjonsteknikk AS)
Contractor:Blænes Bygg・GG Möbel AS
Character of Space:Cabin
Client:Trond Gundersen
Each Floor Area:80 ㎡・205 ㎡
Total Floor Area:285 ㎡
Site Area:1,606 ㎡
Principal Materials:Wood・Steel
Principal Structure:Concrete・Wood・Steel
Location:Austevoll, Norway
Project Photographer:Ivar Kvaal
Collator:Yit-Ming Liang.Yow-Shiuan Chen
主要建築師:托德・桑德斯 佩德羅・雷捷・彭利拿 阿提拉・貝雷斯
結構工程:厄林・奧爾森(Konstruksjonsteknikk AS)
施工單位:Blænes Bygg GG Möbel AS
空間性質:小屋
業主:特隆・甘德森
各階面積:80 平方公尺・205 平方公尺
空間總面積:285 平方公尺
基地面積:1,606平方公尺
主要建材:木材・鋼材
主要結構:混凝土・木材・鋼材
座落位置:挪威艾於斯特沃爾
攝影:伊瓦爾.克瓦
整理:梁煜鳴 陳祐萱
Saunders Architecture