Scope| 153
Casa do Pontal Museum, Rio de Janeiro, Brazil
巴西里約熱內盧 龐塔爾博物館
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Arquitetos Associados
Scope| 153
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Arquitetos Associados
The Casa do Pontal Museum houses the largest and most significant collection of popular art in Brazil. For many years, the Museum was settled in an old house in the Recreio dos Bandeirantes neighborhood, transformed into an exhibition space with remarkable geography and amid exuberant natural landscapes. The new project reinterprets said interaction between architecture and landscape through a careful control of the new building's scale, when viewed from a distance, as well as a thoughtful study of the internal spaces sequence which alternates indoors and outdoors, introducing patios and gardens amidst the built volumes in order to provide a qualified experience of the exhibition and its permanence spaces.
龐塔爾博物館擁有巴西境內收藏量最大且最重要的流行藝術品。多年來,博物館前身坐落在當地一棟老屋裡,歷經此次改造,躍然成為一座地理位置優越、自然景觀豐富的展覽空間。新項目透過仔細控制建築規模,同時深思熟慮室內外交替的空間序列,並在內部規劃露台和花園,不僅賦予展覽及其永久性空間的優質體驗,更重新詮釋建築與景觀之間的交互作用。
The entire building is conceived through a modular constructive logic that articulates reinforced concrete walls, steel beams and lightweight enclosures, creating an environmental system that not only houses the current program foreseen by the Museum, but can also easily adapt to new demands. Conceiving the building as a system rather than an object expands its possibilities of use, its margins of freedom explored by its user and consequently its lifespan. This way of reasoning also allows the construction to be modulated through time, thought through stages that can keep up with the development of the institution itself.
該案藉由模組化的構造邏輯,有利所有鋼筋混凝土牆、鋼梁和輕型圍欄等結構可有效連接整合,進而創建一套完整系統。該系統不僅滿足博物館的當前需求,更可輕鬆應對未來變化。有鑑於此,新建築不再只是某個物體,而是一種可擴展使用可能性、增加探索自由度,從而延長使用壽命的空間系統,而該種方式讓結構可隨時間推移進行調整,並透過階段性的場域思考規劃園區發展。
Thus, the new building now open to the public is just the first stage of a living structure and a changing landscape. Both in this phase and in its final completion, the central courtyard acts as protagonist, and is integrated to the reception to temporary exhibitions. The exhibition route, punctuated by moments of controlled interaction with the gardens, foresees a great diversity of spaces in terms of proportion, light, height, introspection and openness. Multiple doors allow the institution to pick different curatorial strategies and different organizations of exhibit spaces. The concentration of administrative and technical spaces along the south and west facades provides an optimization of flows, qualifying the workspaces by granting them direct interactions with the garden. The technical flows for warehouses, assembly and loading and unloading areas are equated through wide accesses that allow direct connection to the exhibit rooms.
換句話說,此時此刻的建築只是反映當地居住結構和多變景觀的第一階段。然而,無論是在當下階段或是未來,中央庭院皆以主角之姿與臨時展覽接待處融為一體。參觀動線不時與花園交錯盤繞,呈現空間在比例、光線、高度、內觀和開展上等多樣面貌。綜觀整體配置,多道入口規劃讓策展方可選擇不同展覽形式和空間布局;行政區和機房沿著園區南面和西面集中,優化使用流程同時與花園產生直接互動;倉庫、組裝區和裝卸區,則透過寬敞的通道直接抵達展覽室。
Principal Architects:Alexandre Brasil.André Luiz Prado.Bruno Santa Cecília.Carlos Alberto Maciel.Paula Zasnicoff Cardoso.Rafael Gil Santos
Structural Engineering:Gilberto do Valle.Rodrigo do Valle
Landscape Design:Burle Marx Escritório de Paisagismo
Character of Space:Museum
Building Area:2,445.25 ㎡
Principal Structure:Concrete.Wood.Stone.Glass
Location:Rio de Janeiro, Brazil
Photos:Manuel Sá
Text:Arquitetos Associados
Interview:Grace Hung
主要建築師:亞歷山大.巴西爾 安德烈.路易斯.普拉多 布魯諾.桑塔.塞西利亞 卡洛斯.阿爾貝托.馬西爾 寶拉.扎斯尼科夫.卡多佐 拉斐爾.吉爾.桑托斯
結構工程:吉爾伯托.杜瓦萊 羅德里戈.杜瓦萊
景觀設計:伯勒.馬克思園林綠化工作室
空間性質:博物館
建築面積:2,445.25平方公尺
主要結構:混凝土.木材.石材.玻璃
座落位置:巴西里約熱內盧
影像:曼努埃爾.薩
文字:建築聯盟事務所
採訪:洪雅琪
建築聯盟事務所
Arquitetos Associados